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forestmoonmage's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Adult/minor relationship, Child death, Domestic abuse, Drug use, Emotional abuse, Toxic relationship, Forced institutionalization, Grief, and Gaslighting
Minor: Addiction, Alcoholism, Animal death, Body shaming, Infidelity, Dementia, Injury/Injury detail, and Classism
jkd_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Domestic abuse
Moderate: Emotional abuse
Minor: Child death and Forced institutionalization
glovedepartment's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Mental illness, Grief, and Classism
Minor: Child death, Infidelity, and Forced institutionalization
selendrea's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Moore's writing is incredibly strong, with her best talent being how she brings characters to life on the page. The beginning of the novel is particularly captivating, and the setting is both cozy and intimidating. I did have a difficult time putting the book down. Additionally, I appreciated how Moore subtly included several callbacks throughout the text to earlier themes and phrases.
This novel is more of a slow burn than a fast-paced thriller. I do believe it's too long, and some superfluous scenes could have been trimmed. The time skips and myriad of POVs weren't confusing, but I did find them to be unnecessary. At times, it felt as if Moore utilized this unconventional timeline and multiple character perspectives so that she could leave every single chapter in a cliffhanger. With all of this combined, I felt that the plot meandered near the middle of the novel.
While this story had many interesting characters, such as T.J., Judy, and Alice, other characters felt less compelling. Jacob, in particular, did not need to have his own chapters. They added nothing to the story.
The conclusion to Bear's story was enthralling, but Barbara's conclusion was a pretty significant let down for me. This is very subjective, so take my opinion with a grain of salt.
Overall, the shining success of The God of the Woods is how it explores women's experiences in several different contexts. However, I think the plot could have been unraveled in a more coherent way if some extra fluff was cut.
Graphic: Adult/minor relationship, Death, Drug use, Emotional abuse, Infidelity, Sexism, Toxic relationship, Forced institutionalization, Grief, and Alcohol
deliberate_dreamer's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
• Gone Girl-style regionalism/pacing (minus, thankfully, the depths of sadism),
• Baby Sitters’ Club Mystery girl-power nostalgia (leveled up for their original fans now grown),
• Thoreau references to appreciate & chuckle at, and
• multi-decade elite entourages & class commentary à la The Great Gatsby’s Buchanans.
In The God of the Woods, Liz Moore cinematically carries out a solid, multi-perspective, multi-timeline organizational style. Character development balances intentional voice-building with ownership of its clichés. The God of the Woods also nicely works to subvert expectations of the semi-thriller/mystery genre while intuitively exploring generational submission vs. empowerment, as well as issues of patriarchy vs. matriarchy, legacy, classism, mental health, instinct, and closure. I found at least 90% page-turning and worth 4.5+ stars — but at times longed for the author to take more chances or make things messier even more.
Are all of the characters likable? At times, all them I detest; other times, all of them, I appreciate in their own way. All of them earn their keep. As I read, I chuckled often to think to one GoodReads review noting so much dislike for the characters that they declared “Let her be lost; let all of them be lost, actually” (@brend). In answer to that review, I sense this aggravation was intentionally part of Moore’s goal: to generate in us Gatsby-level disgust for the whole lot, yet challenge is to preserve their humanity, too.
All in all, I found this to be an engaging, mostly-satisfying read. It was also the first time my library surprised me a rare “skip-the-line loan” of an e-book, so cool!
Moderate: Addiction, Alcoholism, Domestic abuse, Physical abuse, Toxic relationship, Violence, Kidnapping, Grief, Schizophrenia/Psychosis , and Gaslighting
Minor: Animal death, Confinement, Drug abuse, Eating disorder, Homophobia, Infidelity, Pedophilia, Rape, Forced institutionalization, Blood, Vomit, Murder, Lesbophobia, and Toxic friendship
ejjira's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
Moderate: Child death, Forced institutionalization, and Grief
Minor: Alcoholism, Body shaming, Infidelity, Sexual violence, and Toxic relationship
grunbean's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
The last few chapters couldn't be put down. Some parts of the ending didn't make the most sense to me, but there were interesting choices that could see coming from the clues.
I think the characters and the care and depth with which they were written is the best part. Sometimes it can be overwhelming when you have lots of different perspectives, but I feel this author balances it well. Some characters I love and feel sympathy for, and some I am apathetic for. But those I had apathy for were still interesting to read!
Graphic: Alcoholism, Child death, Death, Emotional abuse, and Alcohol
Moderate: Adult/minor relationship, Physical abuse, Sexual assault, Toxic relationship, Forced institutionalization, and Blood
Minor: Adult/minor relationship and Rape
karaokestar's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Moderate: Child death, Homophobia, Mental illness, Physical abuse, Violence, Forced institutionalization, Grief, and Murder
Minor: Addiction, Drug abuse, Gun violence, Pedophilia, and Alcohol
sweetsouthwest's review against another edition
4.25
Graphic: Child death, Drug use, Forced institutionalization, Grief, and Classism
Moderate: Homophobia
Minor: Infidelity
kaliecameron's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
2.5
Graphic: Addiction, Body shaming, Bullying, Child abuse, Child death, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Mental illness, Misogyny, Physical abuse, Toxic relationship, Forced institutionalization, Grief, Gaslighting, Abandonment, Alcohol, and Classism