4.25-4.5 / 5.0 ⭐️⭐️⭐️⭐️💫 —— The God of the Woods weaves together a fascinating mix of:
• Gone Girl-style regionalism/pacing (minus, thankfully, the depths of sadism),
• Baby Sitters’ Club Mystery girl-power nostalgia (leveled up for their original fans now grown),
• Thoreau references to appreciate & chuckle at, and
• multi-decade elite entourages & class commentary à la The Great Gatsby’s Buchanans.

In The God of the Woods, Liz Moore cinematically carries out a solid, multi-perspective, multi-timeline organizational style. Character development balances intentional voice-building with ownership of its clichés. The God of the Woods also nicely works to subvert expectations of the semi-thriller/mystery genre while intuitively exploring generational submission vs. empowerment, as well as issues of patriarchy vs. matriarchy, legacy, classism, mental health, instinct, and closure. I found at least 90% page-turning and worth 4.5+ stars — but at times longed for the author to take more chances or make things messier even more.

Are all of the characters likable? At times, all them I detest; other times, all of them, I appreciate in their own way. All of them earn their keep. As I read, I chuckled often to think to one GoodReads review noting so much dislike for the characters that they declared “Let her be lost; let all of them be lost, actually” (@brend). In answer to that review, I sense this aggravation was intentionally part of Moore’s goal: to generate in us Gatsby-level disgust for the whole lot, yet  challenge is to preserve their humanity, too.

All in all, I found this to be an engaging, mostly-satisfying read. It was also the first time my library surprised me a rare “skip-the-line loan” of an e-book, so cool!