I knew I was picking up one of the greatest books in the English language, and I was not disappointed. Despite its reputation as a gloomy, sombre book, I actually found the overwhelming majority of it quite cheerful, poetic, and grandiose, if not simply informative. There are, of course, all manner of signs and omens, but really, it's in the last 20 pages that it turns irredeemably dark. This is a long essay on whaling, as well as a story. It is about human connection and unity, as well as hunting. And for a book about hunting, it does wonders of singing the praises of its prey. In the end it is quite satisfying that the hatred of man is destroyed by one clever, much stronger animal. I am only sorry for the death of Queepeg, who Ishmael portrays so fondly. Otherwise, long live Moby Dick!
It was very relaxing to read this lovely little book of fairytales. I dipped into it through the year and really got a feel of each honoured plant and changing landscape. I also really appreciate the research that has gone into pulling tales from different parts of Britain and Ireland and the diversity that was achieved. Some tales end well, others not so much. Some are eerie and a bit spooky, others silly and even inspiring. It was a perfect before-bed read. Ending the book in December actually felt a little festive. I would recommend it to anyone who loves both plants and a bit of magic as much as I do.
It was a great pleasure to work on this poetry collection. It is more daring and modern than its predecessor, Pan. I'd recommend it to anyone who enjoys slam poetry and stream-of-consciousness writing, as well as nature writing.
This poem is the inspiration for every other bit of poetry I love. I am glad I went to the source and got to experience the immersive journey that is this beautiful stream of consciousness. I know it is often interpreted as an ode to the American soul, but it goes beyond that; it is an ode to the human soul. It still impresses me that something so intensely and structurally modern could have been written in 1855. It is no wonder that this is such a foundational piece of literature, and it has also become foundational to me personally.
This book was impossible to put down or stop thinking about. I love the different perspectives and felt as drawn to this woman as each of the characters. The contrast of convention vs subversion is sharp in this one, so much so that you're lead to question the sanity of the supposedly sane. This is a masterpiece.
Kelly did not just write a biography or an analysis of Mary Wollstonecraft's writing. He wrote those into a brilliant social analysis of 18th century Britain. It is brilliant in that it puts this Wollstonecraft's ideas into context, but also follows the social processes that took place from early Enlightenment to early Romanticism, drawing connections to modern views as well. Kelly's description of class relations, the way ideas flowed and how the social debate of the French Revolution affected attitudes, politics and even the every day life of British society is eye-opening even to a historian who has lived there. I would recommend this book to anyone who wants learn more about Wollstonecraft and the British cultural revolution.