hann_cant_read's reviews
454 reviews

This book infuriated me.

For such an amazing concept I don't understand how it could be so boring.

Red is the most incurious person I've ever seen. You just found out your entire religion / life purpose is a total lie and you ask ZERO follow up questions?!? 

The pacing was rough. We spent the majority of the book just basically reliving the same problem over and over again. The tiny interludes into Neve's life outside the woods was the only part that actually drove the plot forward. Our main story line didn't progress until like 3/4 of the way through the book - we just kept re-learning the same information over and over again. Maybe if Red EVER asked a follow up question we could have gotten somewhere. She's so stubborn in the weirdest ways. I don't understand how "Why?" just never came up. She would insist on doing something, the wolf would say no, and then she would just sulk or storm off. 

I also couldn't actually feel the supposed chemistry between the two leads. The Wolf has had a number of second daughters come through as sacrifices but somehow Red is different and he's never felt this way about any of them even though they barely interact. It's supposed to be forced proximity but it's really just giving "there's no one else around so might as well"

I wanted desperately for Red and Neve's bond to be the redeeming relationship in this book. (I'm a total sucker for sibling bonds) but Red went from caring more about her sister than anyone or anything to the point that she went into the woods to certain death to protect her in the first place, to literally seeing

her sister with black veins and being like "huh. Weird. Anyways..."

The worst part, is that the ending was actually great and sets up an incredibly interesting premise for book 2. You just have to suffer for 3/4 of the book to finally get there. 

Two disaster bisexuals banging their way through Europe.

Okay so it's smutty and steamy, but also heartwarming and heartbreaking. The story is extremely character driven vs plot heavy, and about halfway through we switch POV's.

Normally I'm a big proponent of a plot driven > character driven story, but I do think it was balanced here really well with the setting. The forward momentum of the trip they were on was a really interesting and unique way to keep driving them forward as well.

I would have wished to see a little bit more personal growth from Theo. Kit seemed to take more accountability of his part in the break up, and while he was unhappy without Theo he was still making self improvements. Theo is still kind of just...floundering.

I think the nonbinary coming out was a big step, but they had already come out to people back home before the trip so it wasn't a lot of growth from our starting point with them.

Okay. So. I loved it, but I can definitely understand the criticism.

Is it historically accurate? no. Is it scientifically accurate? also no. Should it have been marketed as a comedy? Absolutely not. It has funny moments absolutely but the overarching theme of sexism and abuse are deeply embedded in very not-funny ways. 

I have it sorted as lit fic, but it's almost a little fantastical. Not actually fantasy, but the vibe feels very "Ella Enchanted" or "My Lady Jane" but without the magic. Personally, I love it but I can see why that's not everyone's cup of tea - especially coupled with such dark themes.

Luckily I don't have triggers, but the detailed rape scene pretty early on was still extremely jarring. (That's, again, more of a problem with the marketing than the actual book itself though)

For the things I did love:
Elizabeth was a flawed character. She was incredibly smart, but also sometimes a little dumb. Stubborn to her own detriment, but so funny. She didn't love often but when she did she loved so deeply.
I loved the character growth, specifically of her female friends and how those relationships really developed over time. 
Six-thirty. My absolute favorite character.

This is so boring. I would have dnf'd it if it wasn't our book club pick.

The two main characters have zero chemistry. Even their bickering feels forced.
His Scottish accent feels like it was written by someone who watched Brave one time, with just random words thrown in to remind you he's Scottish - but somehow understands her slang perfectly.
The whole premise felt flimsy, which I would have been able to excuse if the chemistry was there but I've never seen two more annoying people less attracted to each other.

The monster smut was fine

- although we never actually find out if he's able to partially transform during the deed anymore once the curse is broken. Feels like a waste if he can't tbh

The 3rd act break-up and the the "secret" that lachlan was keeping made literally no sense.

The poem/curse had a second verse that mentions "the end only comes with the daughter of mackay" and lachlan decides to keep that part from her. Why? Who fucking knows. He says it's because he doesn't know her/trust her yet but no one even knows what it means. He's pretending like it's any sort of information and when she finds out she's out of proportion mad, again, as if he actually kept anything vital from her.

Neither person makes any sense in this scenario.

The reasoning Duncan had for escaping to America with his daughter also made no sense. He said it was to protect his daughter, but protect her from what? Just because the poem says

the curse ends with her why does that mean she needs protecting? If anything you should be excited to have a daughter so she can end the curse your friend is under.

AND that's assuming he didn't read the full account from Sorscha

where she LITERALLY spells out that all it will take is a daughter of mackay to forgive them.  when we KNOW he did because it was his journal!

Also the grandmother sucked.

Taryn they could never make me like you.