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anna_curlyquotesediting's reviews
192 reviews
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
I don't even know where to start with content warnings for this book. Thankfully, others have done plenty.
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
5.0
Now that Murtagh is out, The Fork is less necessary to read as it's almost directly lifted from this anthology to the main book. However, the end of The Fork does go back to Eragon's POV, so don't skip it entirely.
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
AND I'm happy this book leaves room for a series focusing on Murtagh; I hope to see it one day.
Graphic: Animal cruelty, Torture, Violence, Blood, and Injury/Injury detail
Moderate: Confinement, Emotional abuse, and Gore
Minor: Child abuse, Kidnapping, and Fire/Fire injury
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
As a story, it was difficult to get into. Lucy Gray was interesting enough, but she had no character growth at all. Literally none. And the end was . . . well, strange. Not necessarily unsatisfying--it was foreshadowed--but some of Snow's though processes were weird and couldn't be confirmed. Then again, Snow definitely has some kind of personality disorder, so I'm not too surprised at his maladaptive logic.
Graphic: Child death
Moderate: Animal cruelty, Drug abuse, and Violence
Minor: Cannibalism and Alcohol
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
Overall, of course the book is very sad; it's war, after all, and the author doesn't shy from it.
Graphic: Child death, Violence, Blood, and War
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
The FMC being in the dark about basically everything, without even an inkling of intuition, also bothered me. The FMC has shown herself to be smart--very smart--so where'd that go here?
Moderate: Torture, Violence, and Blood
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Honestly, the "romance" isn't even the good part of these books; I'm glad I read them again, because I'm pretty sure the "romance" is the only thing a much younger me got out of them. This book is about the MC and her fear and fight to survive in a world meant to tear her down. She's practical and funny, and I found myself asking the same questions she was. "What's it matter when it won't put food on the table?"
Graphic: Child death and Death
Moderate: Blood, Fire/Fire injury, and Injury/Injury detail
Minor: Alcoholism
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Body horror, Sexual content, Violence, and Blood
Minor: War
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
Anyway, the last quarter of the book dragged on with no real sense of urgency. I wish Croggon had let us into the madness the FMC was spiraling into, because it would've been much more interesting. Instead we got yet another travel-for-days-to-reach-a-place-before-bad-happens. As for the FMC's relationship with her love interest, that felt, well, forced. Slapped on at the end with no real building or crossing from friendship to lovers. Not a fan of that.
I like my FMC's with more agency and personality than "I don't know what I'm doing and it scares me."
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
There was real character growth and every person felt different and more alive. They clashed, they befriended, they grieved, they celebrated.
Some happenings felt . . . too easy though. A few major major things were just handed to the MC in the "right place right time" vein. It's really the only reason I rated the book down a little.
Graphic: Child abuse, Confinement, and Slavery
Moderate: Child death, Violence, Fire/Fire injury, and Injury/Injury detail
Minor: Self harm, Torture, Vomit, and War