anna_curlyquotesediting's reviews
192 reviews

The Handmaid's Tale by Margaret Atwood

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dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

5.0

A fantastic book, but don't come here for a good time. Especially in today's world of February 2025, this book hits harder and harder as the days go by. I am so sad and feel so much distress for the MC of this story. If only the world would learn from its own history...

I don't even know where to start with content warnings for this book. Thankfully, others have done plenty.
The Fork, the Witch, and the Worm by Christopher Paolini

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adventurous medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? N/A
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

5.0

A really fun anthology from Paolini and his sister. I liked getting to see a snippet of what Eragon was up to as well as a legend from the Urgals, a race often scorned by others in previous books, so we didn't get to learn much about them.

Now that Murtagh is out, The Fork is less necessary to read as it's almost directly lifted from this anthology to the main book. However, the end of The Fork does go back to Eragon's POV, so don't skip it entirely.
Murtagh by Christopher Paolini

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adventurous dark emotional reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Really a very slow book. Doesn't pick up until well over halfway through. I didn't particularly mind since I like character studies, especially for this character. The last section of the book would be a great horror movie! Though really the whole book is very dark, much darker than the original four books in The Inheritance Cycle.

AND I'm happy this book leaves room for a series focusing on Murtagh; I hope to see it one day.

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The Ballad of Songbirds and Snakes by Suzanne Collins

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dark sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

It was weird to have Collins try and make Snow relatable or pitiable; thankfully she didn't try too hard after the first quarter or so of the book or I may have DNF'd it. But it was fun to see all the little connections between the original trilogy and this book, even if those details were added for the sake of that connection. It was fun to imagine the future President Snow being annoyed and bothered by so many small things. Dude probably thinks all problems start in District 12.

As a story, it was difficult to get into. Lucy Gray was interesting enough, but she had no character growth at all. Literally none. And the end was . . . well, strange. Not necessarily unsatisfying--it was foreshadowed--but some of Snow's though processes were weird and couldn't be confirmed. Then again, Snow definitely has some kind of personality disorder, so I'm not too surprised at his maladaptive logic.

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Mockingjay by Suzanne Collins

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dark emotional sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.75

Better than I remember it being, and definitely better than Catching Fire. My main issue with the book is how slow some of it was. I also wish there just hadn't been an epilogue, to be honest. I would've preferred to see the FMC heal than jump ahead to the "after." I would've liked to see the same from the MMC.

Overall, of course the book is very sad; it's war, after all, and the author doesn't shy from it.

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Catching Fire by Suzanne Collins

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dark tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5

Really the Quarter Quell section of the book was just too long, and I get the feeling it was shortened during editing already. It dragged the pacing down.

The FMC being in the dark about basically everything, without even an inkling of intuition, also bothered me. The FMC has shown herself to be smart--very smart--so where'd that go here?

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The Hunger Games by Suzanne Collins

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adventurous dark tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

5.0

I forgot how fast-paced this book was, going along like a speeding train. Still good though. I enjoyed this a lot the first time around (when I was, oh, 12 or so) and still enjoyed it now, at 30. I'm a whole lot less into the Team Peeta/Team Gale schtick now, but hey, teenagers.

Honestly, the "romance" isn't even the good part of these books; I'm glad I read them again, because I'm pretty sure the "romance" is the only thing a much younger me got out of them. This book is about the MC and her fear and fight to survive in a world meant to tear her down. She's practical and funny, and I found myself asking the same questions she was. "What's it matter when it won't put food on the table?"

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Uprooted by Naomi Novik

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adventurous dark funny mysterious fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

5.0

This is genuinely my new favorite book; no exaggeration. If I did things like give more than five stars, I would. I loved literally everything about Uprooted. The way magic worked (and didn't), the characters and how they grew, the spice (subjective, but I'd say just mild), and tension. Not a word was wasted. Nothing was left undone or dragged on too long. Immaculate pacing. I aspire to write a book this good.

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The Singing by Alison Croggon

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dark sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.75

The first three-quarters of the book were good. I didn't enjoy it as much as the third book, The Crow, but The Singing was still more interesting overall than the first two books. For some reason, Croggon writes male characters with more depth than her female characters, and that's . . . frustrating. The one conversation between two women with no men present in this book epically failed the Bechdel Test, if anyone was wondering.

Anyway, the last quarter of the book dragged on with no real sense of urgency. I wish Croggon had let us into the madness the FMC was spiraling into, because it would've been much more interesting. Instead we got yet another travel-for-days-to-reach-a-place-before-bad-happens. As for the FMC's relationship with her love interest, that felt, well, forced. Slapped on at the end with no real building or crossing from friendship to lovers. Not a fan of that.

I like my FMC's with more agency and personality than "I don't know what I'm doing and it scares me." 
The Crow by Alison Croggon

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dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.75

Honestly better than the last two books by far.

There was real character growth and every person felt different and more alive. They clashed, they befriended, they grieved, they celebrated.

Some happenings felt . . . too easy though. A few major major things were just handed to the MC in the "right place right time" vein. It's really the only reason I rated the book down a little.

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