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A review by kate_in_a_book
Faces of Love: Hafez and the Poets of Shiraz (Penguin Classics Deluxe Edition) by Hafez
4.0
Davis has written a good (extensive but not dull) introduction to the history and the poets, as well as the poetry. There are also end notes giving plenty of further analysis of the poems without interrupting the reading of the poems themselves.
I especially appreciated Davis’ notes on his translation, with explanations of the challenges (such as recreating the ancient styles of verse used), the things he was able to recreate in English and the things that are lost. I also enjoyed the appendix of three tongue-in-cheek poems Davis wrote about the difficulty of translating Hafez! I learned a lot, for instance that Persian pronouns do not distinguish between male and female, so most of the time it isn’t clear whether the subject of a poem is male or female. (From historical records and those poems that do make it clear – by referencing body parts, for example – we know that it was common for poets of the time to write admiringly of attractive youths of both genders.) It was also common (as with some western poets of a similar era) for references to a person to mean both a flesh-and-blood person and God, or to switch between the two.
Read my full review at: http://www.noseinabook.co.uk/2014/08/17/order-will-come-to-your-distracted-mind-again
I especially appreciated Davis’ notes on his translation, with explanations of the challenges (such as recreating the ancient styles of verse used), the things he was able to recreate in English and the things that are lost. I also enjoyed the appendix of three tongue-in-cheek poems Davis wrote about the difficulty of translating Hafez! I learned a lot, for instance that Persian pronouns do not distinguish between male and female, so most of the time it isn’t clear whether the subject of a poem is male or female. (From historical records and those poems that do make it clear – by referencing body parts, for example – we know that it was common for poets of the time to write admiringly of attractive youths of both genders.) It was also common (as with some western poets of a similar era) for references to a person to mean both a flesh-and-blood person and God, or to switch between the two.
Read my full review at: http://www.noseinabook.co.uk/2014/08/17/order-will-come-to-your-distracted-mind-again