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A review by balancinghistorybooks
Mary Ann Sate, Imbecile by Alice Jolly
3.0
I adored Alice Jolly's memoir, Dead Babies and Seaside Towns, and was keen to try some of her fiction. Mary Ann Sate, Imbecile was the only work which I could source through my library, and it intrigued me very much. In this work of historical fiction, which is told entirely in free verse, Jolly introduces us to the elderly maidservant Mary Ann Sate, who is working at the turn of the nineteenth century. It is described as a 'fictional found memoir', and I found the approach which Jolly took to her story and protagonist most interesting.
I enjoyed Jolly's writing; it feels both modern and old-fashioned, and reminded me somewhat of Nell Leyshon's impactful novella The Colour of Milk. Gorgeous, and often quite startling imagery, is produced throughout, and the traditional approach of chapters within the structure does help to make the 600-page story a little more accessible. The style did take a little while to get into, as no punctuation whatsoever has been used, and there is little which denotes the changing of scene, speaker, or ideas. Jolly has also included a lot of colloquialisms, which help Mary Ann's voice to come across as authentic. I very quickly got a feel for her, her life, and the time in which she was living. In some ways, Mary Ann Sate, Imbecile is a remarkable piece of fiction.
Whilst being very well researched, and having a strong historical foundation, there was a real drawback for me with Mary Ann Sate, Imbecile. It was rather too long, and I felt as though the repetition which exists throughout made the story lose a lot of its impact. Jolly has certainly demonstrated that she is a very talented and versatile writer, and she definitely maintained the narrative voice well. Had it been shorter and more succinct, I more than likely would have given it a 4-star rating.
I enjoyed Jolly's writing; it feels both modern and old-fashioned, and reminded me somewhat of Nell Leyshon's impactful novella The Colour of Milk. Gorgeous, and often quite startling imagery, is produced throughout, and the traditional approach of chapters within the structure does help to make the 600-page story a little more accessible. The style did take a little while to get into, as no punctuation whatsoever has been used, and there is little which denotes the changing of scene, speaker, or ideas. Jolly has also included a lot of colloquialisms, which help Mary Ann's voice to come across as authentic. I very quickly got a feel for her, her life, and the time in which she was living. In some ways, Mary Ann Sate, Imbecile is a remarkable piece of fiction.
Whilst being very well researched, and having a strong historical foundation, there was a real drawback for me with Mary Ann Sate, Imbecile. It was rather too long, and I felt as though the repetition which exists throughout made the story lose a lot of its impact. Jolly has certainly demonstrated that she is a very talented and versatile writer, and she definitely maintained the narrative voice well. Had it been shorter and more succinct, I more than likely would have given it a 4-star rating.