As always, Silvia Moreno-Garcia delivers with her new book. 

There really is just something about how Silvia’s voice comes through in all of her works. No matter the genre, subject matter, or time period - it flows like only she can. 

I’ve been out of the bible fandom for a while now, but I’m (still) a huge fan of biblical themes, motifs, and aesthetics. So this was kind of right up my alley. I especially relate to the author’s note: 

I’ve seen others comment that they had issues with the POV switching or formatting between Salome and the rest of the Hollywood plot, but I never found it to be distracting, and the biblical segments are kind of what I live for. I thought all the major characters - and quite a few of the minor characters - had plenty of time for the reader to get to know them.

The only part that fell a bit flat was the very end. Everything leading up to it was solid, but the ending felt like it was rushing to wrap everything up and give us a sort of epilogue to boot. Also just a heads up that it is the 50’s in America, so be prepared for racism and maybe take a look at the trigger warnings if you’re someone who needs/uses them. 

In all, a delightful read for those interested in 1950’s Hollywood, juicy biblical retellings, or fans of Silvia Moreno-Garcia in general. 

All opinions are my own. Thank you to NetGalley and the publisher for an advanced copy in return for my honest review.