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A review by luutske
Barrowbeck by Andrew Michael Hurley
4.0
Okay, let's talk about a book that's basically the literary equivalent of those true crime podcasts we can't stop binging - but with way more atmospheric dread. If you're the type who loves stories that crawl under your skin and set up camp, this is absolutely your jam.
Barrowbeck is a remote valley straddling Yorkshire and Lancashire, where the landscape itself feels like it's holding onto centuries of dark secrets. It's not your typical horror - forget jump scares and gore. This is the kind of slow-burn, atmospheric horror that makes you look twice at the shadows in your peripheral vision.
The structure is genius. Instead of a traditional narrative, Hurley gives us interconnected stories that span generations. Think of it like a creepy family album where each page reveals another layer of unresolved trauma and ancient, barely-contained darkness.
The real horror here isn't monsters or ghosts - it's the slow erosion of community, the way progress cuts up ancient land, and how easily we forget we're just temporary guests in a landscape with its own memory.
Hurley's writing is like a master class in creating atmosphere. The prose is dense, heavy - the kind of writing that makes you feel like you're wading through thick fog. It's not jump-out-and-scare-you horror; it's the horror that sits in your chest and makes breathing feel slightly more difficult.
If you're into:
- Slow-burn horror
- Generational storytelling
- Atmospheric narratives
- That specific brand of British folk horror that makes the landscape feel alive
Then grab a glass of wine, put on some Nick Cave, and dive into this deliciously dark read.
Barrowbeck is a remote valley straddling Yorkshire and Lancashire, where the landscape itself feels like it's holding onto centuries of dark secrets. It's not your typical horror - forget jump scares and gore. This is the kind of slow-burn, atmospheric horror that makes you look twice at the shadows in your peripheral vision.
The structure is genius. Instead of a traditional narrative, Hurley gives us interconnected stories that span generations. Think of it like a creepy family album where each page reveals another layer of unresolved trauma and ancient, barely-contained darkness.
The real horror here isn't monsters or ghosts - it's the slow erosion of community, the way progress cuts up ancient land, and how easily we forget we're just temporary guests in a landscape with its own memory.
Hurley's writing is like a master class in creating atmosphere. The prose is dense, heavy - the kind of writing that makes you feel like you're wading through thick fog. It's not jump-out-and-scare-you horror; it's the horror that sits in your chest and makes breathing feel slightly more difficult.
If you're into:
- Slow-burn horror
- Generational storytelling
- Atmospheric narratives
- That specific brand of British folk horror that makes the landscape feel alive
Then grab a glass of wine, put on some Nick Cave, and dive into this deliciously dark read.