There's some key information missing until the very end, so you can't really solve it yourself, but I do love Stevie as a character

2.25, and only because I thought this *slightly* better than The Hand on the Wall. Ugh, what a let down. I genuinely had high hopes for this because, like, look at the premise. Yet Johnson somehow turned this into a boring story with no atmosphere??

The biggest issue was the pacing. There was no thorough investigation of the murders as there was really only one track that Stevie investigated, making the plot THIN. Why weren't there proper red herrings??? And then ALL of a sudden, Stevie has solved the mystery. I'm not even kidding, it just happens out the blue when I thought there would be at least a chapter or more till the big reveal.

And to me, she didn't really solve anything, she just found a diary, and Sabrina did the rest.

In terms of the actual resolution, it was okay, though to me didn't quite fit.

It also felt kind of gross in that it felt like Johnson was capitalising on the concept of undercover Nazis without really addressing the horrors of Nazis and WWII.

The second worst thing was that I don't think Johnson did her research, which made it feel like a cash grab (this was not helped by the fact that the writing was a little sloppy and repetitive, which led me to think it had been rushed through the writing and editing process). Any person interested in true crime worth their salt KNOWS the significance of stabbing as a murder method, especially how many times a person is stabbed, and also knows that spree killers exist. These two things are incredibly relevant to the crime that took place, given four people were stabbed to death (a different number of times) in one night. Yet they are NEVER DISCUSSED. 

Finally, the characters. Nate was a true saving grace in this. I loved him, and I loved his character development (even if THAT felt a little rushed and behind the scenes). I also liked that Johnson set it up in the beginning that the story would only feature Stevie, Nate and Janelle, as I really like this trio and their dynamic. But then DAVID comes on the scene. His presence was simply unnecessary, and he was only included to offer some relationship drama, which wasn't needed as it took space away from the already thin plot.

The drama didn't even go anywhere, as Stevie didn't apologise for being rude and David is still going to England when they didn't even have a discussion about it. Also, the fact that David turned down the money reeks to me of more privilege than if he had accepted it?? Like, that random guy was only going to offer it to him??

Janelle was turned into an ornament which infuriated me. And Stevie herself felt flat and annoying (she is at her most irritating when with David), and the whole imposter-syndrome thing could have been played up so much more to give her some depth. 

So, yeah. I did not like this. I really hope Johnson doesn't release any more books in this series because I will feel obligated to read them as I am a completionist, but I have lost all faith that I might enjoy them. 

I don't know if I'm bad a guessing who dunnit in mystery novels or if Mauree Johnson is that good at keeping me guessing the entire time (probably the latter, but I may need to read more mysteries to find out), but I didn't see the murderer coming. I had zero ideas.

That being said, a few parts were a little choppy as far as how Stevie came up with her info and put everything together, but I felt that way with the other three books as well. I really enjoyed the summer camp vibe even though Stevie didn't partake in much of it (she was too busy trying to solve a murder). There was a lot less of the past POV entwined with the present, but that makes sense all things considered. I do hope we get more Stevie Bell mysteries (I enjoy the characters the most, especially David), but the ending was nice for this stand-alone book. No cliffhangers like the first two.

Highly recommend reading this one (and Truly Devious) if you're a mystery fan or trying to find your way into the mystery genre.