Reviews with content warning for Classism - Giovanni's Room

Timeless, heartbreaking, and so cinematic. I can’t believe it’s taken me this long to delve into Baldwin’s work. Truly do not have any negatives to say about this novel, and I’m sure it will stick with me for a long time.

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khackett411's review against another edition

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dark emotional reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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nefarious_rat's review against another edition

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dark emotional mysterious reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

Just a gorgeous book, I found the prose delicious and really liked all the French.

I loved the initial description of David and Giovanni meeting, and I found that entire sequence so beautiful and almost magical. all the characterisation was so real and divisive. David is unlikeable from the start and yet it is impossible to not want to follow his plight and struggles despite resenting not necessarily his actions, as he does seem to act in a respectable manner, but his inner motivations and dialogue, in particular his self-manifested revulsion for Giovanni, and false desire for Hella. this was so interesting to read and consider. I also enjoyed toward the end Hella's feminist talking points and her lack of personhood out with David's protection, which is then devolved later on - I found this to be an interesting perspective not often taken in this sort of exploratory literature, a feminist discussion of the impacts on the women caught in these loveless marriages, unknowingly covering for men undergoing intense struggle with their sexuality and place in the world

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bridgedeebookish95's review against another edition

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dark emotional sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? N/A
Flaws of characters a main focus? Yes

5.0

A revolutionary novel. Truly. Baldwin’s words are timeless. This felt almost cinematic or theatrical in the way the dialogue flowed. I enjoyed it a lot. Equal parts devastating and frustrating. Beautifully written narrative about class, identity, and the ways in which one is conditioned to hide themselves from not only strangers and those closest to them, but themselves as well.

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itsjadenbaby's review against another edition

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emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

I can officially say that a book has put me in a reading slump for being too good! The novel is perfection. There were lines in this that had my jaw on the floor because of how hard hitting yet beautiful they were.

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inpalemoonlight's review against another edition

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challenging dark emotional reflective sad tense

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

A devastatingly beautiful story, painful, poetic and intense. I can’t believe I only read the book now…
Even though the flaws of the main characters are always in focus, I empathized with most of them and was captured by Baldwin‘s story of the impossibility of a queer love, Paris nightlife, depression, gender roles, homophobia, precarity and betrayal.
James Baldwin portrayed the characters, their emotions and the overall atmosphere in such a clear and touching way, including the internalised homophobia and shame that the protoganist felt in every interaction with Giovanni. It was painful to read, how he couldn‘t admit to any feelings or love until it was too late and how it all destroyed Giovanni in the end. I loved the symbolic character of the room, the confined spaces, the protoginists feeling of being trapped behind those walls and on the other hand Giovannis’ (failed) attempts to renovate it, to make more space for them.
I really hated the sexism, how the protoganists girlfriend at first seemed to be this independent woman travelling Spain but was then trapped by internalized perseptions of a woman‘s role.

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james1star's review against another edition

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emotional reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

3.5

I thought this was going to be one of my *five star* crème de la crème, all time fave books but sadly it didn’t deliver. Some of my reaction and reading experience is hindered by this but the rating is a true reflection. I definitely want to give this a reread as there’s very likely more to uncover and take from this book and my rating may change.

The plot is essentially following David, a young American man living in 1950s Paris whilst his fiancé Hella is exploring Spain trying to find herself. He meets the younger handsome barman Giovanni and the two start a domed relationship. It’s told from the perspective of looking back at these events on the day that something major is about to happen and how it leads upto this. We get some more backstory of these main characters and some of the periphery ones too and how gay people experienced life in this ‘contemporary’ context. This was good and we got a glimpse into their lives being set and written in the 50s but herein lies my main issue with the book. That being the misogyny present which at times the two bond over by laughing and is not addressed which I found very disappointing. This section was infuriating to read: ‘'Oh, well,’

said Giovanni, 'these absurd women running around today, full of ideas and nonsense, and thinking themselves equal to men-quelle rigoladel-they need to be beaten half to death so that they can find out who rules the world.’

I laughed. 'Did the women you knew like to get beaten?’

He smiled. 'I don't know if they liked it. But a beating never made them go away, We both laughed. ‘They were not, any way, like that silly little girl of yours, wandering all over Spain and sending postcards back to Paris…’’ I HATED IT!! Later Hella says ‘I want to start having babies. In a way, it’s really so I’m good for.’ Which was frustrating too, and some other as well.

The writing is exceptional, there are many beautifully written and crafted passages and quotes (at the end) which really bring the story to life - not as many as I had though there would be, I underlined and stared a decent amount but this too was slightly underwhelming. That being said, there’s also quite a lot of long winded sentences with multiple syntaxes which at times felt a bit hard to follow and I couldn’t fully understand or pinpoint what Baldwin was trying to say. Additionally there’s enough sections of untranslated French which I did find quite annoying and wasn’t able to understand again what was fully going on - it’s by no means excessive and at I could guess at points but there was enough to make a comment. I found the story and messages and what the author was saying with the book to be decent enough. However, I have read a fare few iterations of a similar story arc of a doomed queer love that we know already won’t go anywhere, or anywhere good, which I have much preferred. I understand many of these stories were probably influenced by this seminary work but as I’ve read these later ‘versions’ before and liked them more, this just doesn’t compare or rank as highly.

On the whole, I am glad I read this as have wanted to for a long time but am left disappointed. I would still recommend it but there are (in my opinion) much better similar queer stories.

Some of the favourite quotes:

‘But people can’t, unhappily, invent their mooring posts, their lovers and their friends, anymore than they can invent their parents. Life gives these and also takes them away and the great difficulty is to say Yes to life.’

‘…Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both.’

‘Giovanni looked at me. And this look made me feel that no one in my life had ever looked at me directly before.’

‘’Love him,’ said Jaques, with vehemence, ‘love him and let him love you… you can make your time together anything but dirty… if you will not be ashamed… you okay it safe long enough,’ he said, in a different tone, ‘and you’ll end up trapped in your own dirty body, forever and forever - like me.’’

‘…not many people have ever died of love. But multitudes have perished…’

‘He made me think of home - perhaps home is not a place but simply an irrevocable condition.’

‘Much has been written of love turning to hatred, of the heart growing cold with the death of love. It is a remarkable process. It is far more terrible than anything I have ever read about, more terrible than anything I will ever be able to say.’

SPOILER QUOTE

‘No matter how it seems now, I must confess: I loved him. I do not think I will ever love anyone like that again.’ - this shot straight to my heart as I could liken it to my still fave book ever, Philippe Besson’s Lie With Me and yh great!

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